Video Wall: March 1 – 31

Still from The Discovery of Venus by Elizabeth Tolson

Multiple Artists

Video Wall: March 1 – 31


Wall Academic Center
On View: March 01, 2019— March 31, 2019

Works on the video wall are part of an ongoing exhibition of nationally and internationally acclaimed artists. Works rotate every few months.

Alexandra Neuman (American)

Manhole, 2015

HD Digital Video

Alexandra Neuman is an artist based New York, and she works in film, video, and performance who is interested in the contemporary human interactions with technology. She earned a BFA in Visual Arts and Anthropology from the Sam Fox School of Art and Architecture at Washington University (St. Louis) and is currently earning her MFA in art at UC San Diego.

 

Elizabeth Tolson (American)

The Discovery of Venus, 2017  

HD Digital Video

Elizabeth Tolson is an experienced artist and educator who earned her BFA in expanded media from Alfred University and her MFA in Design and Technology from Parsons in New York. In this piece, she depicts Venus, who is often nude in the artistic tradition, and merges the idea of grotesque with classical forms of beauty. She currently is part time faculty at the Parsons School of Design.

 

De’Angelo Dia (American)

Thumb Wrestling, 2017

HD digital video

De’Angelo Dia uses his art as a platform to spark dialogue about cultural, social-political, and theological issues. He received his B.S. from Appalachian State University, M.A. from The University of North Carolina at Charlotte, and M.D. from Union Presbyterian Seminary. Dia has had numerous group and solo exhibitions across the country, notably at The Mint Museum in Charlotte.

 

Alma Leiva (Honduras)

Virtual Wall, 2017

Video Animation

Born in San Pedro Sula, Honduras, Alma Leiva moved to the United States when she was fourteen. She received a BFA from the New World School of the Arts in Miami, FL, and an MFA from Virginia Commonwealth University. Virtual Wall examines how language is used as a tool for transposing, manipulating, hiding, and, subsequently, revealing the rampant xenophobia and racism in American society.